Robert Motherwell
Lost in Form, Found in Line
At MoCA Jacksonville, Florida September 18, 2009 – January 3, 2010

Art is much less important than life, but what a poor life without it. -Robert Motherwell
Motherwell and the other artists of The New York School were fascinated with automatism. For the surrealists two decades earlier, automatism was a means to explore the workings of the unconscious mind. For The New York School artists of the 1950s, automatism was an existential struggle for self-definition. Their aim was to invent themselves, and to capture each moment of self discovery as it unfolded on the canvas.
Motherwell’s “Elegy” Series – Austere. Monochromatic. A confrontation with established cultural values. Motherwell describes an Elegy painting using the words “abandonment, desperation, and helplessness”.

Motherwell’s “Opens” Series – Expressive color. Painterly. With a window or box motif placed spontaneously on the canvas.


Motherwell’s work is fresh, complex, emotional, and, in my humble opinion, brilliant.
*Images from Google. Text inspired from Jonathan Fineberg’s Art Since 1940, Strategies of Being 2nd Ed.
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